The same is true for other categories, with a huge, varied selection of strings, synths, percussive sounds and brass among others. Altogether there are more than 4,500 new patches, bringing the grand total to over 12,000 (the updated areas include a huge new ‘Spotlight – EDM’ library).Īt its heart, Omnisphere is a dual-layer synth with sample- or DSP-based oscillators feeding into what can be loosely interpreted as a specialised subtractive synth architecture A quick look through the presets explains why it’s such a hefty install: the sheer range of sample-based instruments on offer is almost overwhelming. There are, for instance, 26 different categories (Types, in Spectrasonics-speak) of bell sounds, from Bells Analog to Bells Digital (and a separate Digital Bells category), via more obscure options like Bells Gothic and tempo-synced BPM Bells. Thanks to the extensive preset options, you could almost be forgiven for thinking Omnisphere was all about presets, but you’d be missing out on the bigger picture. It’s true to say that you could easily spend a good few months doing nothing but auditioning factory patches, but it’s not just a plug-and-play preset machine.
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